Flies in February

Flies in February . . .

 

There sits on one of my windowsills a squat glass jar capped in gold. February finds this once full glass filling again.

 

Interests and the path spreading like branches follows evolving passion even in the face of an other’s suggestions. I do incorporate experiments and techniques from and with friends, yet I avoid the net of orthodoxy by remaining as much as a lone cat as I can.

 

Two patterns from the vice beside the windowsill are small enough to fit a few on the cap of gold:

 

Partridge and Olive

 

Partridge and Olive Size 12 (2016)

Partridge and Olive
Size 12
(2016)

 

Heerl and Deer

 

Herl and Deer Size 12 (2016)

Herl and Deer
Size 12
(2016)

 

Tenkara Kebari all but for orientation of the hackle. As the remainder of the recipes fall in line with orthodox Tenkara Kebari I pause, side with majority rule in regards to the fundamental composition of each pattern, and I acknowledge there exists a kind of “Reformed Branch” of Tenkara, too. This branch I do practice with attention to balance.

 

Both kebari patterns fish well in my favorite waters; confidence driven by the constant elements: sparseness, natural speckled hackle, and body iridescence.

 

— rPs 02 05 2016

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Heroes: Gone

Heroes: Gone . . .

 

Harlem Meer Hielo Fino (NYC 01 2016)

Harlem Meer
Hielo Fino
(NYC 01 2016)

 

Thin ice spreads a broad surface steady cold winds skate across. Positioned beside a stand of dry cattail, exposed face feels a slap along the banks of the Harlem Meer, here one calendar month into Winter.

“David Bowie has died.” became an actual phrase as tough to bear. The headline’s words smacked me awake last Monday morning. Temperate December gone as a switch flicked on to a frigid January. What a way to begin. Then a man known to a young outdoorsman as “Grizzly Adams” portrayed by the now late Dan Haggerty, passed away.

Artist; Outdoorsman; Heroes: Gone.

Reading regenerates. Any flagging level of retention or enthusiasm for the written word must be engaged since for the writer the word can at times be work. Reading for professional growth becomes pleasure when the titles are as strong as Crooked Lines by Dominic Garnett and The Fishermen by Chigozie Obioma. Fishing is a subject rendered in broad terms on these pages. Story, profound and fun, can be found in every line.

January Reading (01 2016)

January Reading
(01 2016)

 

The light of Winter: brilliance filtered clear scenes of brown, white, and blue finished by a tangerine sunset. That light gives hope, braced by added good timing in the form of a gift of new shoes, Saucony cross trainers, paired with an Ebisu tenkara rod that received express professional service from the Repairs Department of Tenkara USA. Support of this speed and quality has allowed me to grieve by living life as fully as I can squeeze It into a day.

Ebisu (01 2016)

Ebisu
(01 2016)

 

Loss can be reabsorbed and channeled into positive productivity and even happiness when pushing into a period of life experienced at a higher notch. David Bowie lived such a life. He pursued multiple art forms to high levels. He could dance. The theater and film embraced his performance. And he painted. David Bowie, artist, left us a large body of painting and sculpture. My appraisal sees his his work fit the historical space adjacent to Francis Bacon when it comes to rendering human personality and psyche through expressionist treatment of the portrait face.

Fly tying and illustration fit right in step with this multimodal creative expression. Combined with writing, these arts and crafts can also bring a fishing book to term. Writing, like most all the creative channels, involves the malleable process of the Plastic Arts.

Small Fry & the Muddy Moreblacks (01 2016)

Small Fry & the Muddy Moreblacks
(01 2016)

 

Green Guarantee in Situ (01 2016)

Green Guarantee in Situ: colored pencil and original fly pattern on paper
(rPs 01 2016)

 

The setting of eleven on my own amplifier can be activated by the blending of art and sport. Running combined with some safe clambering over rocks, safe climbing of trees, legal catch and release fishing. Bird watching, cycling, and yoga can be included as well. After the stretch and a cool down, the documentation through multiple art forms may happen, sometimes. The cycle of (my) Life, work I deem ample enough for a human life span.

David Bowie gave insights into this way of living one’s life. Dan Haggerty breathed life into a character who carried such convictions into the outdoors. Activity and Art: a lasting living legacy, a positive path pointed out so well by two heroes: the sensitive animal man, last name Adams; the putative human, first name David.

– rPs 01 22 2016

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“Let Me Go”

“Let Me Go”

 

Home to a Swan Prospect Park Lake (12 30 2015)

Home to a Swan
Prospect Park Lake
(12 30 2015)

The news of the passing of Ian Fraser Kilmister, Lemmy, hit me as hard as his pulverizing yet melodic bass solo on “Stay Clean” – the Motörhead track that has fueled my final kick during many a road race. On the eve of New Year’s Eve, bearing the news of this loss in a year full of it, including childhood role model, Leonard Nimoy, my own friends, John Mutone and Ketan Ben Caesar, and extended family, my uncle Andrew Amici and grandmother Marie Amici, there was only one thing I could do to find peace.

British angler Dominic Garnett helped to point the way. I have just received his new book of stories, Crooked Lines, in the mail and a recent post on his blog of the same name describes “Casting into the Wind” along gray canals lined by dry, tan reeds. That angling image offered me some light.

“Let me go,” I said to myself. “Fishing.”

I decided to repeat last year’s example with a visit to Prospect Park Lake in Brooklyn. Unlike the bright and blue day I enjoyed at the close of 2014, the weather this time was gray, cold, with a hanging damp in the air. The lake sat gray and calm, the surrounding woods brown and still. The light tan of the shoreline reeds offered the only warm color to the scene, which was quiet but for the bird song of coots, geese, ducks, and gulls.

With the theme of “Letting Go” floating in mind, the decision seemed natural for me to also relax the rigidity in my fishing approach by bringing along a conventional nine-foot 5-weight matched with a floating line. The idea was to compare and contrast the equipment with my Ebisu tenkara rod with traditional furled line to learn how my casting (and hopefully, catching) may have evolved after four years spent focused on stillwater tenkara.

The lesson learned to my experience is I now cast rod and line better. I find myself entering into that easy rhythm of The Zone much more easily than before tenkara came to my attention. I fished the 5-weight in a fixed line manner, lifting line and leader off the water with very little use of the reel or stripping in of line. Slow swimming lifts were used to bring my size 8 Green Guarantee home to the bank.

 

Ebisu in the Winter Reeds (12 30 2015)

Ebisu in the Winter Reeds
(12 30 2015)

 

What's This!?! Conventional 5-weight for comparative fly fishing. (12 30 2015)

What’s This!?!
Conventional 5-weight for comparative fly fishing.
(12 30 2015)

 

Fishing? Yes. Fish? I missed one light tug on the Ebisu. I switched to another section of the lake where I brought the 5-weight into action. Like last year, during the last hour of light, a connection was at last made.

Not a perch, not like last year. This time something intercepted the fly along the far edge of some reeds where a few sunken branches also projected. Slow and solid, the taker pulled in rippled descending waves of resistance. The rod bent in a deep way as the fish, a large black crappie, rolled, splashed, and at last reached the surface and the mouth of my beaten but unbroken Brodin net.

 

The Best, The Last, 2015 Black Crappie (12 30 2015)

The Best, The Last, 2015
Black Crappie
(12 30 2015)

 

One fish, a nice one, allowed one more catch, photo, and release for 2015. Finished, the fish darted from my underwater grip. The sky had become noticeably darker. Low clouds began to roll in and my breath steamed. As I had been reminded far too many times over the course of this year, time races more than passes. “Letting Go” is necessary.

 

“Let me go,” I said to myself. “Home.”

– rPs 12 31 2015

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One Fly for the Tenkara Holidays

One Fly for the Tenkara Holidays . . .

 

TTMP Clan Green Guarantee 12 2015

“Six Green Guarantee!” (NYC 12 2015)

1.

Gift giving. Among anglers the act can be a delicate wade on slippery surfaces. Some people may even take offense as far as viewing an offer as a hard press unwanted.

Gift giver I may be. The acceptance of a fly pattern example, a kebari, perhaps as a holiday present, a simple gift from a friend or acquaintance who ties is, when from me, an act and an artifact of interaction akin to a card: business, birthday, or holiday.

If the gift offered comes in duplicate, or more, fish the fly! Mix the gift pattern with your own for the classic swing or two in a flow’s current seam.

“Tenkara is One Fly Fishing” has been offered as a koan, as well as a sales absorbing orthodoxy, yet I have met masters who swing tandem soft hackles on a long furled leader with the grace of every other magician who has penned a trout treatise.

One Fly. The inquiry begs an absolute or other from every voice. Is there an answer . . . yet?

Meanwhile, fish that gift fly, or deconstruct the recipe for future fun with one fly on the water.

 

2.

When the good wine flows as fast as a pocket water flow, one knows many more than expected have arrived. Plenty of guests made a party for the NYC Tenkara Club in Manhattan, New York City. A table appointed well greeted the second floor guest at Orvis, 489 Fifth Avenue, New York, NY. Saddle hackles hung in rows and a white screen displayed slide show views of tenkara fisheries and fishers employed with a variety of matched tackle. Adam Klag displayed tenkara rods short and light along longer models capable of tangling with major Cyprinidae.

Respected voices filled the space with Q&A and useful demonstrations of tackle management.

“What About One Fly?”

There it was, then. The Question.

I refer to my Tenkara Fly Code first shared in May of 2012:

A Tenkara Fly Code

That is my “Fly Box Flashback” for the close of December, 2015.

Time since New York City’s tenkara public meeting has since been spent with irony tying multiple patterns. So far from One Fly has been in part inspired by this recent gathering of tenkara angling kin. If I were a cub reporter and copy editor in attendance on December 8, I would have titled my reportage:

Tenkara Takes Manhattan

. . . the i-RON-y.

– rPs 12 14 2015

 

Postscript: My 2015 holidays season’s tenkara gift suggestions and recommendations in random order:

Crooked Lines by Dominic Garnett

http://dgfishing.co.uk/product/crooked-lines/

Nissin Flying Dragon Carp Rod at Tenkara Bum

http://www.tenkarabum.com/nissin-flying-dragon-carp-rod.html

Simple Flies by Morgan Lyle

Tenkara Flies by Anthony Naples

http://www.tenkarabum.com/anthony-naples-tenkara-flies.html

fallons angler issue 4

http://fallonsangler.net/product/fallons-angler-issue-4/

 

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Late Autumn Is December

Late Autumn Is December . . .

 

The Creek in Late Autumn 2015.

The Creek in Late Autumn 2015.

 

They are like memories, ghosts now, some of my friends living still in mind. I see them there when walking a floor of brown leaves over cold mud in misted woods. I see them as well along the gravel path beside a pond reflecting fluttering gold foliage beneath an international blue sky.

I go on, move on an impulse, a grip on the day for a run in the park, some park, somewhere. One time I went into the clear air, saw brown bark of trees, and a blue sky as it does remain bright at autumn’s end. Here, where the fall season is near to being spent, rests in December. The last annual living color breaks away on a breeze. Time shifts, accelerated states, dressed as the city in colors of stone and bark and cloudless sky. Wind more braced blasts through, some days, after a few drawn in mist quite still.

Fishing would present a passage of challenge as I waded along and into browning fields. Stands of trees, copses, work one’s way in patches to a bank worthy of a skater’s exercise. I followed animal’s trail in misted early light. I tracked hide and seek with a young buck of four points. My camera provided one blurred memory.

The stream banked in brown, tan. Stands of Teasel crowned at the end of their bloom offered regal spiked silhouettes drawn by rising sun. The pool stretched long and slow, a rare section of a creek running low at the base of a still hollow. I swung the Green Guarantee along the seam where drowned brown oak leaves met clean gravel and small stones. Water not too tannin, though low, far lower than in past years.

Fishing. A Fallfish struck with two shakes of the head above water. As silver as a tarpon and strong. Three runs up and down flashing copper fins and white belly. Drawn to the net, wet, for a fifteen second photo session before release.

Scales of the Fallfish reflect light as off an uncirculated silver coin. I once found a silver half dollar in the rain, on the lawn of a curb. John F Kennedy was the President pictured in bust profile. So, too, the Fallfish posed for a portrait in net in the cold flow of the creek:

 

Like Coinage. Green Guarantee. Late Autumn 2015

Like Coinage.
Green Guarantee.
Late Autumn 2015

 

Release your fish before they become jittery and you are even competitors.

The Fallfish, Semotilus corporalis, the native, authentic native fish of some American streams, the fish here before the men from the east who were subsumed by the invasive and immigrant people of the west. Another fish, the Cod, drew those same people who have become today’s Americans. The Fallfish welcomed my Green Guarantee, like money, that wonderful binding glue. We agreed, met in the middle, supported by a net. The symbolism was a lived occurrence too compelling not to share.

That’s as far as I go into politics.

Fallfish luster in the net. One learns, too, that down leaves, brown, rest like scales slippery upon a solid clay and gravel bank. Slip they make you do, like ice, but in a more creaking kind of way. The thin ice, of course, it already encrusts the layered leaves in the aged autumn cold. Stand back up, cast again.

I appreciate the utility of vibram soles in such environments.

Behold! A Fish. A photograph. One of Two. One Fallfish, the second and final of the day, fought off my Green Guarantee, weighted and swung, near the center of a long run hip high. “Bonefish set to scale!” I heard myself. “Tenkara! Fly Fishing. Green Guarantee.” Amazement continued.

— rPs 12 08 2015

 

Postscript: One last one for Ketan Ben Caesar. Rest In Stream. Graziare.

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Day Without Art 2015

Day Without Art 2015 . . .

(an oxymoron for Aristotélēs)

 

Sweet in sustenance
Swims this combustible
Carbon water brain.

This blob tells me,
Compels me,
Yells at me.

Scanning other computers
All commuters,
In unison, yeah.

Cloud composed, composer,
Lack of composure.
Just right, suppose, or.

Sophistry some-ocracy, yes,
Suppository idolatry, yea,
Each on purveys.

Hey!
Hey!
Hey!

This Is Politics:
Opinion. Rhetoric.
Not Poetry Poetic.

 

Tenkara Bank 11 2015

Reflecting Rain (NYC Late Autumn 2015)

 

— rPs 12 01 2015

 

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NYC Tenkara Club

NYC Tenkara Club . . .

 

This just in. New York-based tenkara angler, Nelson Garcez, forwarded news of an exciting new development: a NYC Tenkara Club is forming. He says:

“Join us for the inaugural meeting of a New York City based fly-fishing club that congregates TENKARA aficionados. There will be fishing trips to the Croton and Catskills in New York as well as Connecticut and New Jersey. Fly tying sessions in town are also planned.”

When: Tuesday, December 8, 7:00 p.m.
Where: Orvis NY – 489 Fifth Avenue, New York, NY

“We will have pizza and wine and a brief presentation about Tenkara fishing around New York City.”

Please RSVP to: info@nyctenkara.org

“Walk-ins are MORE than welcome.”

See YOU there . . .

 

NYC Tenkara Club Flyer

 

– rPs 11 29 2015

 

 

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14th November, 2015

14th November, 2015 . . .
 
for Albert Camus
 
War in Europe, again.
How ironic
And how parallel
 
To continental
Historical cycles
This conflict has arisen
 
To Whenever,
To Wherever,
Perpetual war cataclysm.
 
We people are a species
Stuck rocking
On our own rodent wheel,
 
Rolling
Rock of our own
Rolling.
 
— ron P. swegman
— 14th November, 2015
Reflecting November Rain (NYC 11 2015)

Reflecting November Rain
(NYC 11 2015)

— rPs 11 14 2015

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“Lucky”

“Lucky” . . .

 

Free Parking John Mutone, by mountain bike, loved to explore the bluffs and meadows of the Wiisahickon Valley. (photo from Small Fry: The Lure of the Little by ron P. swegman)

Free Parking
John Mutone loved two wheels to explore the bluffs and meadows of the Wiisahickon Valley.
(photo from Small Fry: The Lure of the Little by ron P. swegman)

Times gripped hand to hand are so deservedly storied that one just has to spill the secret into an ear, or onto a page, in order to keep the living images swimming in the full color flow of good memory.

The fish reflected silver and gold, red and black pebbled along its length: Salmo trutta; a brown trout. Why this one trout? All deserve to be celebrated more than most in this point of view. The answer may be traced to the person and place that made this fish a tale.

John, “Johnny!” is a competitive soul set at level BMX vertical drop hopper. Loud, happy, always holding a paperback in his hand. The other hand would hold up a water bottle or blunt. The guy could juggle roles and boom out in a voice matched with hardwood carpenter’s hands. He could fish, too, quick and precise casts of the fly rod.

Regular, he arrived disciplined as a clock, to drop in before drop off. I sat beside the 19th Street big window alone at a table spaced for three. My luck of place and time: John’s true tale came to my attention; I had been lucky enough to be reading alone at that table when his energized vibe entered the room and cleared away a rainy Tuesday evening.

John joined me with a mug of strong French roast and said: “You, of all people, ARE going to appreciate this.” I folded farther news, sat back. “Really? Shoot, or . . . Truit?”

John said his Memorial Day had begun uneventfully at La Colombe. Double Americano to stay. No regulars, including me, he noted.

“The usual urge to linger didn’t creep up and steal the morning.” He turned head on impulse to find a woman dressed in tight grey cashmere go by. His mouth shaped a whimsical sneer of a smile that was brilliant comedy. Everyone else grinned, too.

“I fueled up, circled once around Rittenhouse Square. Empty, man. No deserters. An older lady with a dog.”

North, he shot the short cycle over to Logan Circle where the parade could be viewed. The Calder fountain had been switched on with the unofficial start of the summer tourist season. The three reclining green bronze figures representing Wissahickon Creek, the Delaware River, and the Schuylkill River put him in a fishing mood.

She was with her family in DC. Whoa. No go to anyone else to mountain bike Wiss-ward with a plop into the secret pool in the park. He headed back to the crib and gathered his fishing gear to go.

Solo outing, quiet time, had evolved into a slow, fishless day along the water during one of the coolest spring seasons in his years of memory. The hillsides above the water had gone green, a line of goslings followed behind their mother goose. The river and its fish appeared, by their absence, to be still mired in late March. The list of fishes that normally wake in May water have a slower motivation rate when the thermometer continues to drop into the 40’s and 50’s, as it had that entire month, each and every time the sun sank below the horizon.

By four in the afternoon the incoming tide had reclaimed most of the rocks that make fishing a fly along the bank intermittingly possible. John didn’t bring the kayak and was in no mood to wade. He returned to where he had begun, and there remained just enough bank and time for a fellow shod in sneakers to make a last cast or two.

He checked his line and fly, added a second small bb to sink it more quickly in the deepening water, and sent out a back cast parallel to a current seam. The pattern went with the flow on a wet-fly swing and, once both line and fly were straight and hanging in the current, he began a retrieve with small, slow strips. The sky was becoming overcast, giving the river its most “fishy” of its myriad looks. Yoga with line and staff in motion and contemplation, dig?

The water’s surface reflected dark greens, liquid grays, and stony whites. Just as the fly pattern neared the one rock still partially exposed and dry, John lifted his rod into the high stick position, and there witnessed nothing less than an —

ERUPTION!

An aerodynamic fish launched out of the water, missile profile defying gravity by swimming in the air before his wide eyes, tenaciously chasing an evening meal that happened to be his feathered streamer.

A fish, and a very game fish at that. Action! At last! John had missed the grab yet, somehow, instinctively sent out the fly on an attenuated roll cast that placed the pattern just a few feet down from where the fish had surfaced. He was filled with the thrill, adrenaline surged, and yet.

He felt puzzled, too. The fish in the mental photograph he held was leaner than a bass and had a gold belly, and he swore he had seen spots as thick as a leopard’s, or a very wild trout’s.

“Couldn’t be” one of those. He half spoke out loud and half thought. “Not in the Schuylkill. Not here, man. Really?”

Maybe he had hooked grand –

SLAM!

The fish hit again in the same spot beside the rock, this time below the waterline. John set the hook and was suddenly attached to a taker that raced upriver, making a faster, longer run than most fish of size. The sky was mostly overcast now, an ageing, graying day, and the air and water were unseasonably cool, almost cold –

Trout weather.

Meanwhile, John was battling a fish near a big stone, a fish that felt like a trout. But this was not possible, since he was also facing the skyline of Philadelphia, Philly and that cynical line he had endured at La Colombe, the performance that later gave the conversation a hilarious flavor .

“Hear it once and out the other.”

“Not this time,” Ronnie. “This one keeps. It’s a keeper.”

“No Sure Kill! of a river !” And, to Johny’s amazement, three runs later, he landed a brown trout, a Center City Salmo trutta. And he had brought a camera to provide.

“Proof.”

He snapped as efficiently as he could change a tire on the circuit. “The fly fell out on its own, dude. Like perfect, man.”

John gently, respectfully, revived the trout; a fish that seemed to be less shocked to see and feel John than he was to see and feel it. He had to believe, though; the proof was holding, strong yet winded, between his two submerged hands.

“Lucky.”

John christened the fish.

“I was relieved I had caught it. Catch, and perform the release, not so much for pride, but for pedagogy.”

He hoped he had taught the fish a master class in selectivity. John wanted this one to never, ever, again encounter an angler feathered like the cormorant, or some hot shot named Ronnie who uses feathers bound on a hook.

Many anglers do fish for food to sauté’ or fry. Some even bake. Johny and I both bear witness to having seen most of it all. We saw hookers off the wall holding everything caught. Kept in a bucket. People minding rods beside the gazebo on the bluff across the river. Philly was going to be taking home some plump white perch for a Memorial Day backdoor fry.

“Who would have kept “Lucky” in a bucket?”

“Absolutely everybody, man. That fish would be bathing in steamed butter and onions somewhere.” Johnny just knew.

His keeper was a tale given to a fishing fan who fished only for stories to tell at the café.

John had a new one for sure, so he released his grip on the main character that slowly, almost hesitantly, cruised back to home stone, which now showed less than the tip of an iceberg.

“Lucky! Yes, you are!” John said, for both fish and fisher. “Lucky! Yes! Lucky Memorial Day!”

He was completely aware he was beginning to babble just as the tide was continuing to rise. The Schuylkill hugged him up to the knees and held his admiration; he had not yet considered moving from the “Lucky” spot. John could have stood there until the next day. Such situations often surround the satisfied. Damp was giving way to completely soaked as the reality he had caught a brown trout in Center City Philadelphia sank into permanent memory. Haloed in a soft rain, he at last waded, happy and a bit bewildered, out of “The Sure Cool!” river.

John slapped an envelope onto the worn wood tabletop in between us, breaking the spell of story.

“Open it,” he said with a smile.

I did so, and pulled out a 4×6 color photograph of his big right hand gently gripping a long brown trout. Pictured there also was a single liquid crystal of the river frozen in mid drip and the unmistakable painted gables of Boathouse Row in the blurred impressionist background.

– rPs 10 16 2015

 

Postscript: for John Mutone. “Ride in Peace, Guy.”

Small Fry: The Lure of the Little

Small Fry: The Lure of the Little

 

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Fall, in Four

Fall, in Four . . .

 

fallon's angler issue 4

fallon’s angler
issue 4

 

Autumn has turned in step with a switch. The T-shirt, the staple of summer, becomes a core submerged in fall flannel surfaced by a heavy cotton sweater. The minimal rain or wading jacket covers the rest of the usual required reading of the weather. When you run to the water, sleeves long underneath a second with ones short fit well. Mittens? Not quite yet, but closer.

Time to turn more indoors. The view out a Manhattan window looks onto shaded brick holding ivy, a few trees tired of green, thinning below a blue lens of sky holding hovering glowing vapor trails. Or else the sky presses down, flat and white, with wind gusts up to thirty or so MPH. A spatter of rain sizzles on the glass still half open until late evening. That seasonal switch, again, in kinetic action.

Turned more indoors, a new bookcase gets assembled. Shelves, installed, meant to be filled. Time, then, indoors; time for letters: books, tying manuals, some poems or lyrics or lyric poems as well as stories, some classics matched with new ones.

Fallon’s Angler issue #4 begins the October reading list assured. The short story “Cliffhanger” offers my side of the tale alongside works by the likes of Dominic Garnett, Chris Yates, and the General.

Visit the fallon’s angler website:  http://fallonsangler.net/product/fallons-angler-issue-4/

 

HOW TO FISH CHRIS YATES

HOW TO FISH
CHRIS YATES

 

— rPs 10 05 2015

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